Bespoke Theatre in China by Stufish Entertainment Architects

Bespoke Theatre in China
Photo © Tim Franco

Stufish Entertainment Architects has completed the design for the bespoke 1,183 seat Dai Show Theatre in Xishuangbanna, China, for the country’s largest property developer, the Dalian Wanda Group. The theatre will host a permanent 75-minute acrobatic water spectacle created by show producers Dragone.

Photo © Tim Franco

Stufish has also designed the entire stage and set for the show, becoming the first practice ever to deliver all architectural and show elements for a theatre. Designing the entire project allowed Stufish to present a holistic architectural language throughout, from the canopy-inspired roof to purpose-built stage elements. The 19,500sqm Dai Show Theatre is a key element to Xishuangbanna’s newest cultural offering, the Wanda Xishuangbanna International Resort.

Photo © Tim Franco

In addition to the theatre, the resort includes apartments, shopping malls, bars and restaurants, hotels, golf course and a theme park. It is set to become a major tourist destination for both Chinese and international visitors.  Stufish’s theatre design is based on an original concept sketch by the studio’s late founder, Mark Fisher. It is further inspired by the natural and cultural patterns seen around Xishuangbanna.

Photo © Tim Franco

Nature’s influence on the design is particularly expressed in the 110m diameter golden roof, which has a structure that evokes the folding nature of palm fronds. The roof has two tiers that act as a canopy for the open-air lobby below, and is supported by tree-like columns that encircle the theatre. Where the two roof tiers join, openings between the structural points allow for natural ventilation on the mezzanine lobby, in response to Xishuangbanna’s warm climate.

Photo © Tim Franco

The openings also allow visitors to look out at surrounding views. Stufish’s organic design materialises inside the theatre as well. Long textured “leaves” form golden walls that twist up into the ceiling, creating an intimate, low-lit atmosphere in the VIP areas. The repetitive folding patterns carry throughout the space, into exclusive suites, at times transforming into radial embossed chandeliers.

Photo © Tim Franco

In the auditorium, the audience is seated in the round, surrounding a 1,400sqm stage that is split into three sections. The main central stage has a 14m-wide performance basin containing an 8m wide pool plug which lowers down 5.5m to allow for a dramatic 15m high-dive off the catwalk above. When closed the plug lays even with the performance area’s acrobatic flooring.

Photo © Tim Franco

Adjacent is the forestage, which, along with the central stage, can be either wet or dry. The final performance area is a dry upstage section used symbolically to convey a vast infinity and for more practical purposes, such as storing and transporting scenery. The stage has been designed so water can flood the areas separately and fill the entire performance basin in 45 seconds and then be drained in just 20 seconds.

Photo © Tim Franco

The exterior roof structure covers the auditorium where it has been left exposed, giving the impression that the audience is sat beneath a canopy of palm trees. The low grid height, sitting just 18m above the seats, creates an intimate experience. Stufish has integrated ten acrobatic gates with an elaborate 3D flying system into the design of the roof structure, allowing performers to fly from the 9m platform and soar above both stage and audience.

Photo © Tim Franco

The production’s fantastical elements are emphasised by scenery hanging from the grid above and permanent large “dragon roots” that appear to grow out of the stage and create the impression that nature is taking over the architecture. Lighting, projection and special water effects such as cascades and fountains, further support a creative storyline of imagination, love and local legends. Source by Stufish Entertainment Architects.

Photo © Raphael Olivier

Location: Xishuangbanna, China
Architect: Stufish Entertainment Architects
Theatre Consultants: Auerbach Pollock Friedlander
Clerk of Works: Sandman Associates International
Construction Design: China IPPR International Engineering Co. Ltd
Interior LDI: Beijing Qingshang Environmental Art & Architectural Design Institute Co. Ltd.
Concept Engineer: Atelier One
Landscape Designer: DL&C Landscapes Pty Ltd., Guangdong, China
Contractor: China State 11
Client: Dalian Wanda Group
SHOW DESIGN TEAM
Set Designer: Stufish Entertainment Architects
Lighting Designer: Olivier Legendre
Costume Designer: Nicolas Vaudelet
Sound Designer: Corrado Campanelli
Composer: Michael Brennan
Projection Specialists: VYV Corporation
Theatre Draperies: Showtex, Hong Kong
Scenery Fabrication: Yang Liping Workshop, Beijing
Artistic Director: Franco Dragone
Show Director/Choreographer: Andre Kasten
Show Director/Choreographer: Leah Moyer
Art Director: Pascal Jacob
Creative Consultant: Yang Li Ping
Associate Director: Phenix Lin
Acrobatic Choreographer: Edgar Zendejas
Lighting Designer: Olivier Legendre
Sound Designer: Corrado  Campanelli
Human Performance/Machinery Designer: Jaque Paquin
SFX designer: Denis Lafontaine
Costume Design/Realization: Nicolas Vaudelet
Video Content Designer: Patrick Neys
Make up Designer: Carmen Arbues
Client: Dragone
Year: 2015
Photographs: Tim Franco, Raphael Olivier, Courtesy of Stufish Entertainment Architects

Photo © Raphael Olivier
Photo © Raphael Olivier
Photo © Raphael Olivier
Photo © Raphael Olivier
Aerial Photo
Ground Floor Plan
Level 9m Plan
Level 15m Plan
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