![Angles of Incidence](https://aasarchitecture.com/wp-content/uploads/Angles-of-Incidence-by-Warren-Langley-and-Julia-Davis-01.jpg)
It is reasonable to assume that the Victoria Cross site has always been an intersection or meeting point. From pre-colonial settlement, where the ridges were most likely the well travelled walking paths of the indigenous clans, this site was an intersection of ridges and a possible meeting place.
![Angles of Incidence](https://aasarchitecture.com/wp-content/uploads/Angles-of-Incidence-by-Warren-Langley-and-Julia-Davis-02.jpg)
In the early days of colonial settlement this sense of intersection was further enhanced as a junction of the major routes from the harbour foreshore and landings.
![Angles of Incidence](https://aasarchitecture.com/wp-content/uploads/Angles-of-Incidence-by-Warren-Langley-and-Julia-Davis-03.jpg)
Over time this notional sense of intersection became a social hub rather than a physical crossing of paths as the precinct evolved as an entertainment and commercial centre.
![Angles of Incidence](https://aasarchitecture.com/wp-content/uploads/Angles-of-Incidence-by-Warren-Langley-and-Julia-Davis-04.jpg)
This concept, based upon the shape of a quartz grain from the ubiquitous sandstone beneath, perpetuates this phenomena by reflecting its surroundings in a unique and forever changing manner.
![Angles of Incidence](https://aasarchitecture.com/wp-content/uploads/Angles-of-Incidence-by-Warren-Langley-and-Julia-Davis-05.jpg)
By continuously reflecting its changing surrounds the artwork becomes an active participant in the landscape. Both an interactive and integrated artwork.
![Angles of Incidence](https://aasarchitecture.com/wp-content/uploads/Angles-of-Incidence-by-Warren-Langley-and-Julia-Davis-06.jpg)
By night, the large contemporary structure transforms from a reflective form into a glowing blue icon, a marker point a location finder an announcement.
![Angles of Incidence](https://aasarchitecture.com/wp-content/uploads/Angles-of-Incidence-by-Warren-Langley-and-Julia-Davis-07.jpg)
A two way mirror effect in the interactive, coloured safety glass transitions from a reflective surface to a light transmitting surface in accord with the surrounding light level. The work is in the just launched North Sydney Council’s Public Art Trail, with 18 sites. Source by Warren Langley.
![Angles of Incidence](https://aasarchitecture.com/wp-content/uploads/Angles-of-Incidence-by-Warren-Langley-and-Julia-Davis-08.jpg)
- Location: North Sydney, Australia
- Artists: Warren Langley and Julia Davis
- Client: North Sydney Council
- Materials: Digitally Coloured Safety Glass, Stainless Steel and Led Light
- Dimensions: 6m High X 2.4 X 2.2
- Budget: $210,000
- Year Completed: 2016
- Photographs: Richard Glover, Courtesy of Warren Langley