The building delivered by the agency in 1999 included most of the features, but compared to a conventional theater, there was still missing a rehearsal room for the artists (provided by the current extension). This first piece has been installed «around» the conserved house on what was available on the plot, adopting a “S” form complicated by this context. A big part of the plot was naturally dedicated to the room and its direct additional premises (dressing rooms, backstage, state control) while the narrowest part of the north was for the rest of the functions, with the lobby, the administration, and the accompanying facilities (toilets, technical rooms. …).
The implementation of a slightly sloping ground at the ground floor has permitted to add at the very last moment a coffee bar under the slope of the flowerbed of the room, so as to create a friendly place, both to the artists and the public. In order to capture the best of this complex and narrow site, the architectural concept had been to create a very compact project with spaces close to each other, and facilitating the displacements from one space to another. The program was divided into two parts sharply juxtaposed: one intended for the artists, opening on the boulevard Victor Hugo, and the other one intended for the public facing the November 11th street.
This second part was the smallest, its more complex volume was inserted in the artists’ building: the flat and regular floor of the ground floor, came down from the November 11th street where is located the lobby, up to sunken the boulevard Victor Hugo where was the bar. The bar was under the slope of the bleachers of the room, the whole arrangement created a very fluid and unitary space, sliding from one end to the other of the plot.
Inside the section intended for the artists, the functions are linked and follow each other with rigor: on one side the back-stage, on which all the cabins of the artists and their accompaniment premises are superimposed, then the scene, the proscenium, and finally the room on which comes to settle in height the state control, above the back seats. The scene is constituted by a tray of 240 m 2 with a stage bellow on the same surface, and above the grid and the false grid. The proscenium also has a grid that can be equipped. The distance between the lowest point of the bottom of the scene and the highest point of the grid is 21 meters.
The building represents a very large volume entirely in concrete varnish in dark purple. The shape of this volume is slightly curved and rounded, giving it an almost precious appearance and certain softness. Manuelle Gautrand did not attempt to hide the important volume of the building, but to assert this shape, and improve it by rounding it and dressing it entirely in purple varnish. This warm color used several references: the theater, often red through the ages, a timeless and strong color. It is also a reference to the Northern bricks, to the colored facades that goes from red to brown through purple.
The facades thus present a monumental aspect and distinguished themselves by their purple satin color. The surface of the varnish is covered with a pattern from stencil, drawing very graphically a frieze of black glazed bricks, from the floor to the top. This stylized frieze has allowed giving a certain scale to the facades of this part of the project. Furthermore, the other element coming to recall the scale of the environment is the facade of the former movie theater identically reproduced since it’s a part of the historical heritage of the residents of Bethune.Goals of the extension and the renovation.
The project reached two main goals:
•Realize the extension, planned since 1994, including the rehearsal room
•Put in the new safety regulations and renovate the theater (the administration, the hall…).
1/ The Extension:
The extension is located on the corner of the plot, on three levels: a volume of high-rise located on the same level as the natural ground, and dedicated to the rehearsal room; then a level of offices, which links with the existing office floor to the second floor of the building. The size of the rehearsal room allows relocating the hall on the corner of the November 11th street and the Avenue Victor Hugo, a provision that already existed during the competition in 1994.
This position has several advantages: it allows to give a better visibility to the theater and to make the coffee bar more accessible. The coffee bar formerly located under the volume of the room’s floor, could not benefit neither of a direct entrance from the Avenue Victor Hugo, nor a natural lighting. Now, the construction of the hall corner connects directly to the coffee, bringing a natural lighting and making it an animated and welcoming passageway. Above, the administration has a larger and more functional space thanks to the extending from the second floor of the existing theater.
2/ Restructuring of the Existing:
Many spaces have also been changed within the existing building. Indeed, since the delivery of the original building fifteen years ago, the safety regulations have evolved considerably. This project therefore involved the upgrading of the entire building. Several safety regulations were concerned, including the fire safety regulations and the accessibility to all spaces of the theater for disabled people. The extension also required the construction of a staircase located on the right of the future hall and serving on the first floor the upper level of the rehearsal room of the CNAD (National Academy of the Dramatic Arts) and its additional premises, and the offices on the second floor. Finally, the building reached the most ambitious thermal and energy regulations.
3/ The Room above the pit:
The agency used all these work to complete this room, which had been left «raw» during the construction of the original building, into a second rehearsal room without grid, and smaller than the main rehearsal room, with an access facilitated by the raising of the staircase of the offices.
Architectural Guidelines for the extension.
For the extension, Manuelle Gautrand took the architectural concept of a simple volume, almost rectangular, which comes to close the angle between the Boulevard Victor Hugo and the 11th November street. Symbolically this extension seems to connect all the functions, to facilitate the displacements of the users: the lobby envelops the new rehearsal room to open itself on both streets. The lobby connects successively the historic hall, the new rehearsal room and the room on top of the flower-bed. Its length allows installing several bars that create more places of breaks dedicated to the artists or the audiences.
Finally, it’s in black that the agency coated this extension: a deep and powerful color. To create a soft link with the initial volume, this black is implemented in the form of a kind of weaving metal panels, which are drawing large rhombuses, to remind the ones of the purple rounded shape. The existing building is assembled on a diagonal frame which allows attaching those shaped panels. The waves of these panels, mat and glossy, take the light differently, depending on their degree of shine and their orientation to the light. Besides this extension of the huge rhombuses drawn on the existing purple facade, there is a delicate inspiration taken from the artist Pierre Soulages’ work.
The heart of the project remains in the coherence of the initial tints: A mixture of dark shades, going from black to purple. One of the last choices in the draft was to think about progressively erasing the presence of the former facade of the movie theater. As if a generation was chasing away the previous one, the facade preserved and restored in the previous project, with its fillers pastels and a little outdated, has been completely covered with the purple lacquer, as if the rounded hull had swallowed it. And here is this theater, to which the agency became so much attached, ready for a new life! Source by Manuelle Gautrand Architecture.
Location: 138 Rue du 11 Novembre, 62400 Locon, France
Architects: Manuelle Gautrand Architecture
Architect In Charge: Manuelle Gautrand
Stage Design: Bati-Scene
Structural Engineering: Khephren
Acoustics: Jean-Paul Lamoureux
Fluids Engineering & Economy: Hexa Ingenierie
Scheduling And Coordination: HD Project
Control Office: Preventec
Partitions Ceilings: C4M
Woodwork: Bara Menuiserie
Painting Wall Coatings: Vandendriessche
Hvac And Plumbing: Bonnel
Electricity Networks: Eiffage Energie
Stage Equipment: Caire-Manganelli
Area: 2082.0 sqm
Photographs: Luc Boegly, Courtesy of Manuelle Gautrand Architecture